The identification of the age of porcelain collections, the collection term is called the generation. For example, for the porcelain works of the same kiln mouth, the production is judged in different ages, that is, the generation. Such as Longquan kiln porcelain, Song, Yuan, Ming have production.
To accurately determine the age, it is necessary to identify whether it is the Song Dynasty, or the Yuan Dynasty or Ming Dynasty products. Jingdezhen porcelain industry has developed greatly during the Ming and Qing Dynasties. Because of the approximation of the same type of porcelain in the two generations of royal families, it is quite difficult to break the porcelain of this kind. In the past, collectors engaged in porcelain collections were often accustomed to the same period of porcelain in the front and the rear. For example, the blue-and-white porcelain in the early Ming Dynasty was often judged as "Yongxuan", and the multicolored porcelain was broken into "Jia Li", indicating that it was broken. Difficulty.
This requirement seems to be similar to the truth and is two aspects of a problem. At present, regarding the determination of the age of ceramics, the academic world has formed some unwritten rules, that is, the artifacts before the Ming Dynasty can be determined by the dynasty.
To be more detailed, those dynasties that have lasted longer, such as Tang and Song, can be better divided into early, middle and late. In the identification, special attention should be paid to those objects that can determine the absolute age (this absolute age is mostly shown in the inscription of the object itself), which is the most valuable in science and is often studied as a specifier. From the Ming Dynasty to the Qing Dynasty, it was required to be able to determine the age of the emperor, such as Ming Xuande, Chenghua, Qing Emperor Kangxi, Jiaqing and so on. It is not enough to say that it was the Ming Dynasty and the Qing Dynasty. In addition, the dynasties of the ear and the ear, the Qing dynasty, such as Jiajing, Wanli, Qing Emperor Kangxi, Qianlong, can be distinguished early, middle and late.
The difference between the era of breaking and the authenticity is that in ancient ceramics, there are some antique artifacts of ancient people, even if they are not authentic, nor are they faked. For today, they are also an ancient ceramics. The elites also have high artistic value. For example, the small kiln imitation kiln in the Song and Yuan Dynasties, the famous kiln in the Song and Ming Dynasties in the Ming and Qing Dynasties, and the Ming Dynasty dynasty kiln in the Qing Dynasty. Wait. For the identification of this era of artifacts, it is necessary to produce imitations of the era and imitation objects, such as Xuande imitation Ge Kiln, Yongle imitation Song Longquan, Kangxi imitation Yongle blue and white, Yongzheng imitation kiln, Qianlong imitation kiln and so on. This kind of ancient antique artifacts should still be given full attention because they also have certain collection, research and display value.
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